Description
Herbert is a Didone Display font designed by Danilo De Marco in 2019 for the Studio K95.
Its construction is characterized by the strong contrast between thick and thin rods, which give to the typeface a strong aesthetic and elegant appearance, For this reason it is unsuitable for the composition of long texts to small dimensions. Instead, it is suitable for the editing of titles or particular graphic/typographic compositions.
Herbert is characterized by 4 different styles: Regular, Italic, Stencil and Semi Sans.
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The free demo version of this font is available for testing purposes only. It is strictly not permitted for personal or commercial use. To access the full version and obtain a proper license, please purchase the complete font. By downloading the demo, you agree to these terms.
Herbert Regular
Size 23px
Line height 33px
The Bauhaus was a pioneering school of art, design, and architecture founded in 1919 in Weimar, Germany, by architect Walter Gropius. Emerging after World War I, it aimed to unify fine arts and craftsmanship, embracing modernity, functionality, and mass production. Influenced by movements such as Arts and Crafts, De Stijl, and Constructivism, the Bauhaus sought to eliminate the divide between artists and artisans, fostering a holistic design approach where form followed function. Its curriculum blended theoretical education with practical workshops, covering painting, typography, metalwork, furniture design, textiles, and architecture. Renowned artists like Paul Klee, Wassily Kandinsky, László Moholy-Nagy, Johannes Itten, Josef Albers, and Marcel Breuer were part of its faculty, bringing innovative methods and diverse artistic visions. Initially, in Weimar, the focus was on craftsmanship and expressionism, but after relocating to Dessau in 1925, the school embraced industrial rationalism and modernist design.
Size 23px
Line height 33px
Herbert Italic
Size 53px
Line height 56px
Our guiding principle was that design is neither an intellectual nor a material affair, but simply an integral part of the stuff of life, necessary for everyone in a civilized society. We want an architecture adapted to our world of machines, radios, and fast cars, an architecture whose function is clearly recognizable in the relation of its forms.
Size 53px
Line height 56px
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