Description
July 01 is a font with a vintage style, but at the same time it looks extremely modern. The strong constat between vertical and horizontal rods makes it fit into the Bodonian family. Although many of its letters have a more condensed style, others are a bit wider, all for greater contrast. Many of the letters that make up the font have a distinctive design that gives the font character, making it distinguishable from other similar fonts.
July 01 is a purely graphic font, ideal for making artwork or for use in titles or subtitles within websites or printed magazines. The strong contrast of its constituent parts make it not very usable for small texts, nevertheless its use is not excluded for the composition of not excessively small texts if well balanced.
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The free demo version of this font is available for testing purposes only. It is strictly not permitted for personal or commercial use. To access the full version and obtain a proper license, please purchase the complete font. By downloading the demo, you agree to these terms.
July 01 Regular
Size 23px
Line height 33px
The Bauhaus was a pioneering school of art, design, and architecture founded in 1919 in Weimar, Germany, by architect Walter Gropius. Emerging after World War I, it aimed to unify fine arts and craftsmanship, embracing modernity, functionality, and mass production. Influenced by movements such as Arts and Crafts, De Stijl, and Constructivism, the Bauhaus sought to eliminate the divide between artists and artisans, fostering a holistic design approach where form followed function. Its curriculum blended theoretical education with practical workshops, covering painting, typography, metalwork, furniture design, textiles, and architecture. Renowned artists like Paul Klee, Wassily Kandinsky, László Moholy-Nagy, Johannes Itten, Josef Albers, and Marcel Breuer were part of its faculty, bringing innovative methods and diverse artistic visions. Initially, in Weimar, the focus was on craftsmanship and expressionism, but after relocating to Dessau in 1925, the school embraced industrial rationalism and modernist design.
Size 33px
Line height 43px
July 01 Bold
Size 53px
Line height 56px
Our guiding principle was that design is neither an intellectual nor a material affair, but simply an integral part of the stuff of life, necessary for everyone in a civilized society. We want an architecture adapted to our world of machines, radios, and fast cars, an architecture whose function is clearly recognizable in the relation of its forms.
Size 53px
Line height 56px
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